Two's Company
What happens — the sense
A man boasts that ghosts don't exist and stays alone in a haunted house to prove it. As night falls and strange noises begin, he reassures himself it is "merely nerves" — while pulling the curtain, locking the door, picking up a poker, and finally hiding in a cupboard. The poem ends when a real ghost introduces itself. The man's words and actions contradict each other throughout — that is the joke.
Themes
- Dramatic irony / contradiction between words and actions. He says he isn't afraid but every action proves he is.
- Pride and overconfidence. His need to "prove I'm in the right" leads him into the very danger he denies.
- The supernatural vs rational belief. Rationalism is defeated — the ghost is real, despite the man's certainty.
- Comic humour through self-delusion. The poem is a comic poem; the man is laughable, not tragic.
Tone
Lightly comic and ironic throughout. The narrator tells the story with gentle amusement — the parenthetical comments in brackets are the poet nudging the reader and sharing a wink. The subtitle "The sad story of a man who didn't believe in ghosts" is itself comic: calling this trivial self-humiliation a "sad story".
Form & poetic devices
| Form | Rhyming couplets (AABBCC…) — the sing-song, children's-story rhythm makes the man's escalating fear comic. The neat rhymes contrast with the chaos of his fear. |
|---|---|
| Dramatic irony | The reader knows he is terrified; he insists he is not. Every action (curtain, lock, poker, cupboard) contradicts his words. This is the central device. |
| Parenthetical asides | Brackets contain his real behaviour: "(he draws the curtain)", "(He may as well pick up the poker!)" — the poet stepping in to expose him. |
| Imagery | "a hunchback moon and screech-owls calling" — deliberately eerie Gothic imagery; pathetic fallacy sets the ominous atmosphere. |
| Narrative voice | Third-person narrator who is wry and gently mocking — distinct from the man himself. |
- Poet: Raymond Wilson.
- Form: rhyming couplets (AABB) — comic, ballad-like rhythm.
- Central theme: dramatic irony — the gap between what the man claims (no fear) and what he does (every action showing fear).
- Key device: parenthetical asides in brackets revealing his true behaviour.
- 2024 exam extracted: "They left him just as dusk was falling / With a hunchback moon and screech-owls calling" — examiners asked about situation, time of day, and the effect of imagery.
- The final couplet is the punchline — the ghost actually exists, introduced with polite small-talk: "How do you do!"
- Missing the dramatic irony — the poem is entirely built on the gap between his words and actions. Always name this device.
- Saying the poem is scary or tragic — it is comic. The subtitle "sad story" is itself a joke.
- Ignoring the brackets — the parenthetical asides are a key structural device that examiners will ask about.
- Giving the wrong time: "just as dusk was falling" — it is evening / twilight, not midnight (midnight comes later in the poem).
✅ Quick Check
Answer these to lock in the key points. Wrong answers are saved to your Mistake Notebook.
📝 Exam Practice
Real Section A format — write your answer first, then reveal the model answer.
With a hunchback moon and screech-owls calling."
-
(a) From which poem are these lines taken? Who is the poet? (01 mark)"Two's Company" by Raymond Wilson.
-
(b) What is the situation presented in these lines? (01 mark)The man has been left alone in the house at dusk — his friends have departed and evening is falling.
-
(c) What time of day is indicated by these lines? (01 mark)Dusk / early evening — the moment when daylight fades and darkness begins.
-
(d) Explain the effect created by the images used in these lines. (02 marks)"Hunchback moon" and "screech-owls calling" create an atmosphere of unease and menace. The hunchback moon is a personification suggesting something twisted or sinister; screech-owls are associated with bad omens and the supernatural. Together, the images build tension before the ghost's appearance, creating a gothic, threatening atmosphere that prepares the reader for what is to come.
And a voice from just inside:
'I've been waiting long to see you.
Won't you please come in and hide?'"
-
(a) Name the poem and the poet. (01 mark)"Two's Company" by Raymond Wilson.
-
(b) Who is speaking in these lines? (01 mark)The ghost — the supernatural presence the man has dared to encounter by staying in the house alone.
-
(c) What is ironic about the ghost's words? (01 mark)The ghost speaks politely and welcomes the man — it is the ghost who invites the living person "in", reversing the expected relationship. The man who came to prove there was no ghost is now being invited in by it.
-
(d) How does the ending of the poem subvert the reader's expectations? (02 marks)The man has spent the poem boasting that he does not believe in ghosts and will not be afraid. At the end, the ghost politely introduces itself and invites him in — the anti-climax is that the ghost is courteous, not terrifying. This reversal turns the poem into a comedy of embarrassed pride rather than straightforward horror.